Monday, April 18, 2016

Tongxin-Post 3 Termination and Gratitude

When I terminated the client whom was the first long-term client of mine, I wanted to express my sincerest gratitude to her from the bottom of my heart.
She did not know that at the beginning how much I was struggling in scheduling and how nervous I was to see my clients. She came on time every time and said “thank you” to me at the end of every session. I guess she believed in my professionalism even before my colleagues began to believe me.
The reciprocal trust between me and her was the thing that I held firmly in hand and kept me going at the very beginning of my counselling practice. I was very vulnerable as a counsellor with inadequate self-confidence. It was this client that let me climb up to the stage where I re-assured that I can be fully qualified as a counsellor.
She and I worked together going through maybe the darkest period of her life. The counselling commitment took her to realize that the world is not all bad, and there are always hopes; it took me to know more about myself as a counsellor.
When we terminated, our shared journey also ended. However, I will remember this journey, where we relied on each other and fought against odds in her life-----she became a much more mature herself, and I became a much more mature counsellor.

She is her own heroine. I wish her a good life.   

Tongxin-Post 2 Mindfulness and Pushing My Boundaries

I took 3 courses last spring, including the Mindfulness course given by Dr. Pare. By that time, I was the one taking the most courses among my cohort. Myself was also scared by my class timetable. My Study Advisor suggested that it is better to take no more than 2 courses in spring. I was struggled for whether I should take 3 courses at that time.
However, one day, I somehow said to myself “Come on! You are taking Mindfulness now, how dare you say that ‘it’s too busy’? Why not take this busy period as a Mindful practice?” I successfully "brainwashed" myself and eventually took 3 courses that spring.
In the Mindfulness class, I learned that the world is in my heart and if I am mindful enough, the external environment should not bother my innate serenity. I took this belief in mind. And I did it, finishing all 3 courses successfully and felt much calmer under heavy study-load.
I think this experience had a big impact on me. Being mindful means that I can always calmly notice and navigate myself through busy days, and the mindfulness ability, I think, will be the most important tool to push my boundary and realize my potentials.

Notice: Mindfulness also tells me to take care of myself, thus I won’t push myself too hard. 

Tongxin-Post 1 A Typical Chinese style of Narrating

When I ask you to describe your favourite food, how will you describe it to me? From my own experience, the English native speaker will usually tell me his/her favourite food directly, expressing how much he/she likes the food, especially what the feeling of tasting the food he/she will have. English mind-set is “I”-oriented: it is about my feelings about the food, my taste, what I like about it. All about “me”.

However, my Chinese friends, they will usually think for a while—a process of choosing which one to tell me based on their assumption of my preference, and then ask me, “Have you ever tasted A? I guess you will like it!” They will roughly mention “I like it” and then skip to talk about the food itself and usually end up by saying “You should give it a try! It’s great!”  Here, I notice that the Chinese mind-set in narrating things is “You”-oriented---I don’t mind whether I like it or not, but I like to see that you like what I like. What’s the importance of letting the listener like what the speaker likes? I am not sure; maybe it has to do with the Oriental mind-set of emphasizing on relationship? 
 Preschool in Three Cultures Revisited

Preschool in Three Cultures Revisited by Tobin, J. et al. (2009) is a landmark in the history of early childhood education. It is a study on childhood education of China, Japan, and the USA. It explored what changed and what remained unchanged in teaching modes within the span of twenty years. While China emphasized control, discipline, and didactic mode of teaching in early 1980s, it now paid stress on child-centered approach, child’s creativity, and independence with socialist values being unchanged. Compared to China, the preschools in Japan did not change so much. On the other hand, the mode of teaching in the USA was interactional. I think the aim of preschool education in those countries is same (imparting education) but their modes teaching are different.
The mode of teaching in China through sociodramatic play has really impressed me. The children play different roles – roles of patients, doctors, grocers, hairdressers, and clients. This is a rehearsal of the drama intended for children to stage later in their real life. Teachers are also seen to participate in their drama as guest, and behave like children. In this regard, teachers produce a new identity: identity of children, deleting their identity as instructors. No teachers can teach well without lowering themselves to the level of children. Perhaps the teachers participating in this drama evaluate this idea. They apply, and comply with this idea in preschool education.
The non-interventional role of Morita-sensei in children fighting has also impressed me. It is an approach or art that teaches students to solve their problems by themselves. This is one kind of training of how to address problems in real life. The sociodramatic play in Chinese preschool education and teacher’s non-interventional role in students’ fight are both equally significant. Both intend to train children how to overcome problems in real life.
            One of the key themes of this study is indigenization or localization. It is a process through which an exoteric culture merges into native culture. In other words, it is a process of borrowing things to be planted in native culture. Negativists label this process as a cultural aggression. However, indigenization is associated with the notion of hybridization which results from the process of globalization accelerated by an overwhelming advancement of science, technology, and information. The use of videotapes might accelerate the process of hybridization in pedagogical practices and procedures that helped teachers and policymakers to adopt the good aspects of pedagogical approaches of the exoteric culture to reconstruct the native mode of their teaching in education system – a hybrid method which belongs to all, and in this way, this method might be universal in appeal. This method has left an ample space for self-correction, self-criticism, and self-development. It works for the principle of taking and giving labeled as key to hybridization resulting from the process of globalization.
Another theme that I would like to discuss here is “the relativity of time and space in the workings of educational reform – 2004 in Kunming, China, is not quite the same time as 2004 in Shanghai.” It is true in the context of China, if not fully convincing in the case of developed countries like the USA, Canada, and Germany which ensure equal development in all their provinces or territories. But the economic development in the developing countries in most cases center around the largest cities. This economic growth and development impact on education. Kunming’s rapid economic development helped it to be more advanced than Shanghai. Though these two cities belonged to China, they could not equally pace with time: Kunming advanced, but Shanghai lagged behind in pedagogical reforms. The local factors had immense contribution to this relativity of time and space in the workings of education reform.       
             The strength of the method in this study known as video cued multi-vocal diachronic ethnography consists in the synthetization of ethnography, historiography, and tape recording. This method included the following steps: videotaping a day at a preschool, editing the tape, and reducing it to 20 minutes; showing the tape to the teacher whose class was recorded; showing the tape to the teachers of the same school; showing the tape to preschool educators in the same country, and finally to the preschool educators of the two other countries. It is the strength of the method that interlaces the voices of participants to create an orchestral collection of cultural approaches to preschool education. In other words, this method has juxtaposed the past and present of the pedagogical practices of three cultures. It helps the instructors and policymakers rethink about their education system and mode of teaching.  This method ensured the engagement of all parties: students, teachers, educators, directors, and policymakers.
In this study the authors have used videotapes which “are not the data; rather, they are cues, stimuli, topics for discussion, interviewing.” It is convincing because videotapes are devices that record pictures and sounds of this study. They are devices through which the authors recorded the pedagogical practices of this study with an aim to watch events later. May be, the authors did not view videotapes as data, but they (videotapes) got some aspects of data that one could use if needed.
The strength of this method surpasses its weakness. However, lengthy process of showing the videotapes to varied individuals and institutions of the three cultures concerned in pedagogical practices is a bit time consuming as well as expensive.  This study was conducted on a limited number of preschools which cannot reflect the overall preschool education system in China. Besides, the authors took around twenty years to complete this study. It is, indeed, a long time, during which there might be a sea change in the realm of pedagogy. The preschool education systems followed 20 years ago might naturally seem outdated, irrational, and awkward 20 years later. However, despite these weaknesses, the method applied in this study is novel, that deserves credit.

References

Tobin, J., Hsueh, Y., & Karasawa, M. (2009). Preschool in Three Cultures Revisited: China,    Japan, and the United States. University of Chicago Press.

Monday, April 11, 2016

Blogpost#10 Linear school language and linear fashion in reading

My current part-time ESP job provokes me to examine that whether vocational school students as well as trade-people wouldn’t read texts in a “linear, sequential fashion”. The answer might probably yes. Texts in different genres and form are utilized as the source of specific information needed to accomplish particular goals, but not the source of general knowledge. This reminds me of the mostly mentioned and emphasized skills during my instructions of IELTS test-taking. The majority of my students here Ottawa as well as in China (I’m currently teaching TOEFL test-taking skills through video-chat to one of my friends living in Guangzhou,China) and they usually feel not that comfortable and confident when dealing with task types that requires global reading, scanning and skimming skills. As reading practice is still the main theme in teacher-centered classroom in most public schools in China, with teaching and explanation of essential reading skills and strategies being barely underlined. And I came to understand better that why some of my current students didn’t know how to skim read a text as they has been taught and encouraged to read carefully lines by lines. Fortunately, some of them get to understand the great necessity of skimming as not every text should be regarded as the source for general information as different purposes were set before the writer/author began to draft them; some texts are better to be comprehended for the purpose of gather information.



Blogpost#9 schooling and a Mandarin proverb: 授之以鱼,不如授之以渔。

Schools is not the end point of reading and effective comprehension practice for students, for which strategies for understanding different expository text in different genres would be essential in future employment in various social sectors. I was recently reminded of an ancient proverb in Mandarin back China:
授之以鱼,不如授之以渔。
(shou zhi yi yu, buru shou zhi yi yu。, trans., it would be better teach a man how to fish than to give him a fish.)


While pronouncing exactly the same in Mandarin, 鱼(yu, trans., fish)and 渔(yu, trans., the action of fishing, and/or knowledge and skills to fish) differ a lot in the meaning. Linking back to the literature, the answer of recalling questions to a text after reading along with the text it self is鱼(fish), which only tells students what’s the main idea of this passage, while how to read, namely, reading with skills and strategies is渔(the action of fishing, and/or knowledge and skills to fish). When an individual has to read a text about basketball without having a say in text decision, s/he would lose the desire, eagerness and motivation to read the text, esp., when s/he is an indoor person without any passion in basketball (When a person has to have salmon without having a chance to decide what type of fish s/he would like to have, s/he would not desire, eager and motivated to have the fish.) .

Blogpost#8 what’s the pace of student with learning difficulties

There are existing labels to students with Learning Differences (LD), e.g., the slower.  Being slow and different in needs in schooling is normally taken as against expectations; no matter one is a high-achiever or an average-achieving student from general mainstream classrooms, or a student with Learning Differences (LD) in a separate resource classrooms. Besides, the notion of slow pace reminds me of a book I enjoyed reading a lot several years ago: Totto-chan: The Little Girl at the Window1, written by a Japan's best-loved television star Tetsuko Kuroyanagi who was regarded as different from general students or as a ADHD (Attention Deficit Hyperactivity Disorder) kid from a modern lens in LD and was expelled from elementary school. The book is about Miss Kuroyanagi's unconventional education in Tomoe School2 in Tokyo during World War II and the values it taught her. I still remembered the astonishing thoughts came out after my readings on the book, as it is in Tomoe School in the period of World War Two, which might be into the category of special needs schools that include low-achievers, students with LD and students that are not accepted by local public/private of other reasons, that Miss Kuroyanagi found schooling as joyful and meaningful experience and finally grew up into a socially defined person without mental health issues. The slow pace in school lives benefit both teachers-educators and learners. Teachers and the principal had time to develop sustained attention to the formation of themselves as professional lifelong learners. They are learners first before teachers, as they have to learn the needs of children who need extra helps first and to actively response to their needs. As for students, they had a say in deciding the course order, they could leave classroom (actually old railroad cars) to have leisure time, recreation and enjoy solitude at any point during the class. The freedom, time, acceptance and encouragement upon creativity in unique balance between relaxation and teaching and learning in Tomoe School enabled Miss Kuroyanagi to achieve so much in her later lives.
            This book  would become the resources of support in my persistence of not scheduling too much things for a day, which has pushed me to strive to save time for the sake of it. Obviously, applying the philosophy of Tomoe School in the revision of teacher education program in Ontario is not realistic; yet it could act as a reminder that to act in a slow pace does not equate low achievement and being incapable, but a chance to have relaxation, to strive a balance between knowledge-absorption and digestion, to make reflection and to engage into conductive cooperation.

1. Kuroyanagi, T. (1982). Totto-chan, the little girl at the window (1st ed.). Tokyo : New York: Kodansha International ; Distributed by Kodansha International/USA through Harper & Row.  Book review on NewYork Times: GROWING UP JAPANESE http://www.nytimes.com/1982/11/21/books/growing-up-japanese.html
2. Tomoe school was destroyed by American B-29 bombers in the 1945 air raids that leveled most of Tokyo.